On April 10-11, 2026, Breakaway Music Festival  will storm back into Fair Park  as the ignition switch for the brand’s most ambitious year to date. After a record-breaking 2025 season that earned Breakaway the Dallas Observer ’s “Best Festival in Dallas” title , the city has secured a prestigious new honor: the first stop on a massive 14-city national tour. Now, Texas will get the first look at Breakaway’s expanded production, sharpened vision, and a redefined Breakaway Dallas experience.  Photo Credit: Breakaway Dallas Dallas sits right in the middle of Breakaway’s momentum. Following a 2025 edition that shattered expectations with its atmosphere and attendance, the city has evolved from a mere tour stop into the brand’s backbone. “The response from fans in 2025 exceeded every expectation and proved that Dallas is quickly becoming one of Breakaway’s strongest communities,” says Breakaway co-founder Zach Ruben. “Fair Park delivered an unforgettable backdrop, and we’re ready to level up the entire Breakaway experience in 2026 with expanded production, new surprises, and more.” The 2026 roster balances international boss power and the raw energy of the Texas community. Headliners like FISHER and Eli Brown  will anchor the weekend with their sunny tech house melodies and dark-driving industrial techno. Joining are the musically adventurous duo, Sofi Tukker , who will bring a vivid “jungle pop”, HUGEL , the Marseille-born pioneer of Latin House, and many more.   Breakaway Dallas 2026 Lineup However, Breakaway’s true ethos lies in its commitment to the local ecosystem. By placing Dallas-based artists like Zircaz  and P Plum  on the primary billing, the festival bridges the gap between DFW producers and global superstars. For local favorite P Plum, opening a national tour at home is a career milestone.  “Breakaway is the perfect festival for this city,” she says. “I’m grateful to play a role in something so special. There’s nothing like helping launch the tour at home, surrounded by the people who have supported me from the beginning.” Beyond the speakers, Breakaway Dallas will transform into a multi-sensory playground featuring curated brand activations and recharge zones. The CELSIUS  oasis will offer a high-energy sanctuary to refuel with sparkling refreshments. Powered by Jimmy John ’s, the fan-favorite Silent Disco will also return with upgraded tech and curated local lineups. And for those seeking an elevated vantage point, Breakaway’s premium tiers: VIP, Ultimate VIP, and the tiered space deck will offer plush lounges, dedicated bars, and unobstructed sightlines over the crowd.  As Breakaway expands into new territories like Houston and Salt Lake City, Dallas retains the crown as the tour’s symbolic engine. As the city musically grows and evolves in exciting ways, this launch validates a local scene that has been long ready for the global spotlight.  “Dallas is home to some of the most innovative and powerful talents in today’s music scene,” P Plum› adds. “I feel Dallas’s EDM scene is growing and evolving in exciting ways. There’s a genuine passion here, and the crowds bring incredible energy every time. There’s also a strong sense of community, artists and fans supporting each other and pushing things forward together. Something real is happening here, and festivals like Breakaway are finally giving it the stage it deserves.” Join us at Breakaway Dallas as we kick off the year’s most anticipated electronic circuit. Secure your tickets now!

After a breakthrough year defined by high-impact bookings and a rare signing to Germany’s BlackBox Digital , one Texas artist has begun rewriting the rules of American Hard Dance. A former metal-core vocalist who traded mosh pits for production software, The Hunter now balances a corporate 9-to-5 with late-night production sessions and a passionate side quest as an “advent Pokémon collector.” Now, the hardstyle evangelist has a plan to build a more sustainable future for harder styles in the United States.  Photo Credit: HLR Photography A signature on a BlackBox   Digital  contract shifted The Hunter’s ambitions from regional momentum to global discovery. As the sister label to Gearbox Digital , one of the most influential names in European Hard Dance, BlackBox  operates as the genre’s highest tier. For a producer rooted in San Antonio, this deal carried weight beyond distribution. It demanded sharper discipline, cleaner execution, and an understanding that every release now spoke for Texas hardstyle as a whole. “After getting signed, I spent a lot of long nights in the studio working on my true sound,” The Hunter says. “Thinking to myself, being from Texas, we have the motto, ‘ Everything is bigger in Texas ’, thus creating raw, intense drops with huge sing-along melodies. This set my mindset to be the best I can be and push myself even harder.” That sharpened focus found real-world confirmation at Hardstyle in the Park in Chicago. On a summer afternoon, the Hardstyle Chicago Family transformed a public park into a shared refuge for hardstyle lovers, and The Hunter had an opportunity of a lifetime to perform. This nationwide network made him see a coast-to-coast community taking shape.  “ When I found out I would be playing at Hardstyle in the Park in Chicago, I felt nothing but pure joy,” The Hunter recalls. “My friend, Bad Grizz , and I created their first-ever anthem for the event that was released on Blackbox . It was the day before, when I was touring downtown, that I felt the city’s energy. The vibes at the event were great. We had people near the stage dancing, but also sitting out in the sun playing games, grilling, and, overall, hanging out and listening to a genre that hasn’t hit the US as it has overseas. It felt like a mini Defqon 1 !” Photo Credit: Kylewild That sense of shared responsibility fuels HexDrive Audio . Founded in San Antonio, this label operates less like a business and more like a collective built on trust. In an industry where artists routinely surrender 30 to 50 percent of their earnings, HexDrive  offers a rare alternative: a 100 percent royalty model that removes profit extraction from the equation entirely. By stripping away traditional royalty models, HexDrive creates space for creative risk and long-term growth, particularly for U.S.-based hard dance producers fighting for visibility in a European-dominated scene.  “Being a hard dance artist from the US is a challenge,” The Hunter says. “I started HexDrive to have not just hard dance artists grow, but to let them release their creative side as much as possible. It’s about being yourself and expressing that through music. My goal is to find pioneers to see the vision and build it together.” Long before mastering the digital wizardry of hard dance, The Hunter learned energy in a high school metal-core band. Those early years taught him how aggression moves. When dubstep surged into the mainstream, the weight of Caspa  and the Firepower Records  roster recalibrated his ears, steering him toward heavier electronic forms. That path eventually led to Belgian hardstyle pioneer Coone .  “It was the melodies that pulled me in first,” The Hunter says. “Being a vocalist gave me some of my best high school memories, playing live shows at the White Rabbit . But once a buddy showed me hardstyle, I was hooked. The first time I played a hardstyle set and saw how the crowd reacted to the drops and melodies, it unlocked a kind of happiness I never expected.”  Photo Credit: HLR Photography Texas hard dance survives on grit, not hype. In a digital landscape crowded with manufactured drama and fleeting clout, The Hunter’s philosophy favors longevity over noise. His approach reflects a scene that values humility, consistency, and mutual respect. “Just stay true to you and your music,” he says. “If someone hates your sound, that’s your biggest fan watching closely. What matters is how you handle it. Brush it off, keep going, and you’ll grow past it. Clout chasers become one-hit wonders. Real artists play the long game.” As HexDrive  and The Hunter grow, they promise to shelter a new wave of artists who value integrity as much as impact, proving that the harder styles in America are here to stay.  Follow The Hunter’s journey and stay connected with the HexDrive  revolution: SPOTIFY SOUNDCLOUD INSTAGRAM TIKTOK WEBSITE

For over a decade, Lights All Night (LAN)  has stood as the crown jewel of Texas’s New Year’s Eve circuit. It is a closing ceremony for the electronic music calendar and a glowing invitation for ravers to step into a brand-new year as one. The 2025 edition elevated the legacy with upgraded production, immersive art installations, thoughtful community-oriented activities, and one of the strongest line-ups Dallas has seen in years. As a long-time attendee and a reporter for the EDM community, I experienced both nights from the heart of the crowd. It was a journey through a living, breathing ecosystem of light.  Photo Credit: Lights All Night Lights All Night 2025 Day 1 The first day of Lights All Night 2025 set the tone with a seamless entry. Security was efficient, respectful, and provided a welcoming energy into the festival. Once inside, the atmosphere was electric. Attendees arrived draped in LED accessories and fresh glitter, their collective intention clear: to dance away the final days of the year. My first destination was the main stage, The Metroplex , where techno powerhouse Sara Landry  was already in total command. It was my first time seeing the “High Priestess of Hard Techno” live, and she exceeded every expectation. Her set was a whirlwind of pulsing, hypnotic rhythms - clean but gritty in all the right places. As an opener, she lit the fuse for the entire festival. Beyond the stages, Lights All Night transformed Dallas Market Hall into an interactive playground. The “Light Hallway”, a glowing tunnel of shifting hues, became a portal for transit, while LED seesaws became attendees’ favorites. There were other various playful props designed for sitting or serving as catalysts for spontaneous human connection.  Lights All Night also placed a heavy emphasis on community wellness. The End Overdose  booth stood out as a highlight, offering free Narcan training and a sanctuary for those needing a breather. This commitment safely added a layer of responsibility and compassion to the festival environment. Nearby, the Light Strike  tent offered a literal glow-up, providing coconut-water-based cocktails and complimentary glitter services. I took advantage of the service and walked back into the crowd, sparkling. I closed the evening at the Watering Hole  for Lucas DiLeo , who delivered one of the most unified sets of the weekend. His ability to read the room and fuel the energy with precision is phenomenal. There was a unique thrill in watching Lucas guide the crowd effortlessly before heading back to the Metroplex  for Mau P . His smooth, melodic house curation was the perfect “final chapter” for Day 1, leaving me energized yet protective, saving some fuel for the New Year’s Eve countdown upon us. Photo Credit: Lights All Night Lights All Night 2025 Day 2 Day 2 of Lights All Night 2025 was a completely different animal in the best way. The crowd had doubled in size and creativity. The fashion gave NYE aesthetic vibes: metallic fabrics, themed makeup, and intricate clothing designs that belong on a runway. The night’s first explosion came from  Crankdat . His set gave off a sensory eruption in the best way possible. With laser arrays firing in every direction and at least 15 active lasers at once, the visuals were perfectly synced to Crankdat’s drops. It was polished, unhinged, and emotionally charged. Between sets, I visited the vendor village to see Sick Beets . Their booth has become a staple for Texas ravers, offering rave apparel, accessories, and custom designs that feel more like “wearable art” than traditional festival merch. It served as a gathering point for creatives, ravers, artists, and the fashion-forward crowd to admire the craftsmanship of our community. The beauty of Lights All Night is the “stumble-upon” discovery. I wandered into Grabbitz ’s set with no expectations and left a fan. His energy was infectious, and his connection with the audience was incredibly authentic. Singing his own tracks live, he brought a raw, vocal vulnerability that is often missing from major festivals. For the midnight countdown, I found myself on the rails for TVBOO , whose “chaotic-good” energy and blend of humor and unpredictability kept us rail-riders engaged from 2025 to 2026.  Then came the moment we all waited for: KNOCK2’ s New Year's closing set. After the clock struck midnight and we entered 2026, the energy inside Dallas Market Hall had shifted from a party to a roaring stadium-like force. KNOCK2’s performance felt like a second wind of pure adrenaline, carrying us through the first hours of the new year and closing out Lights All Night 2025 with relentless momentum. Photo Credit: Lights All Night Lights All Night 2025 was a masterpiece of movement, humor, and connection. Every moment added a brushstroke to a larger picture of what rave culture can be. From the wellness initiatives to the tremendous production across the Market Center, the festival proved that it truly understands its audience. As both a reporter and a raver, I left Lights All Night feeling rejuvenated, exactly how a New Year’s celebration should make you feel.  Here's to another year of lights, sound, and the unforgettable nights that keep us coming back. With love, Xunny.

From the heart of Dallas, RayBurger  is carving a unique lane by fusing the highly animated pulse of EDM with the rich rhythms of Latin America. Born and raised with a Tex-Mex spirit, he ignited the scene during the 2020 lockdown with breakout tracks like “ Kumbia Bang ” and “ La Hamburguesa. ” By blending cumbia and merengue with electronic intensity, RayBurger quickly caught the attention of global heavyweights and built a devoted following that celebrates both his boundary-pushing sound and his playful, community-first persona. Photo Credit: Side Quest Dispatch The atmosphere at his recent show at 9PM Music Venue  in Houston was already electric before RayBurger even touched the decks. Support acts DJ Tony Bangz  and GEEZUZ  set the pace, delivering relentless grooves that kept the floor moving and the momentum climbing. By the time the Dallas native took the stage, the energy shifted into overdrive.  RayBurger’s set was a masterclass in cultural fusion. Looking across the room, the crowd’s diversity mirrored the music. Modern EDM shufflers danced alongside fans pulling out classic Tejano-inspired moves. It was a musical rollercoaster: heavy Latin influences met global bass drops, keeping the audience guessing. At the same time, RayBurger maintained an unbreakable connection with the crowd.  After the show, we sat down with RayBurger to dive deeper into his sound, influences, and what drives his unique approach to the dance floor.  EDM Texas: For anyone new to your world, how would you define the RayBurger sound? RayBurger:  I specialize in what I call Latin EDM or Latin Rave. It’s a fusion. I play techno, hardstyle, and house, but there’s always a Latin flair to it, whether it’s the vocals, the rhythm, or just a specific swing. I’ve been producing for 15 years, but the last two years of full-time touring have really seen things scale up. I have an album dropping next year and some massive festival slots I can’t reveal just yet. EDM Texas: What was the spark that first got you into production? RayBurger:   Skrillex ! I started in hip-hop but when Skrillex blew up around 2011, it broke my mind. I couldn’t fathom how Skrillex created those sounds. When I heard “Scary Monsters and Nice Sprites” for the first time, it changed the trajectory of my life.  EDM Texas: What did you grow up listening to in Texas? RayBurger:  My family is Tejano, so the household was a mix of Selena  and the Kumbia Kings , which were huge in our household alongside funk legends like The Isley Brothers  and KC and the Sunshine Band . But I was also into Duran Duran , Creed , and I’m still a massive T-Pain  fan. That “Tex-Mex” melting pot is exactly what you hear in my sets today.  EDM Texas: How do you keep your sound evolving while staying true to your signature style? RayBurger:  It’s about “putting on” for the culture. For a long time, dance music wasn’t the most inclusive place, but now, there’s more diversity, and I want to help anchor that space for Latinos in club culture. The money is cool, and I make sure to donate and volunteer, but the mission is the priority. I’m the same dude; I’m just doing bigger things now. EDM Texas: Sometimes producers hit a “wall”. What’s the most challenging part of the process for you?  RayBurger:  I’ll be honest: I cannot mix and master my own tracks to save my life! I work very closely with a mastering engineer now, and it’s been a game-changer. Getting the final “feel” of a track to match what’s in my head is the hardest part, so having that professional help is vital.  Photo Credit: Side Quest Dispatch EDM Texas: How has rave culture in Texas shaped your sound and identity as an artist? RayBurger:  Being Tejano, there are songs that only “hit” here. For example, I play a remix of “Massore (El Baile del Gorila),” a popular Tejano song here in Texas, but not everywhere. If I play it in California, the room goes quiet. In Texas? It goes off. My remix of “Bota y Tambo” by Sabor Kolombia (Houston) went viral on TikTok because it tapped into that shared culture of weddings and quinceañeras we grew up with. I’m just bringing those memories back to the rave.  EDM Texas: You recently shared the stage with Deorro at EDC Las Vegas! What was that experience like?  RayBurger:  Wild. Looking out at that crowd, I couldn’t even see individual faces; I just had to pretend they were there, but I could hear them. I yelled, “ Hey, oh! ” and the crowd went absolutely wild. On the official stream, however, you couldn’t hear the crowd noise. Overall, the in-person energy was life-changing. EDM Texas: If you could go back and give yourself one piece of advice, what would it be? RayBurger:  Grow the fucking mullet, man. Follow RayBurger on his platforms below: INSTAGRAM EDC MEXICO 2025 SET SOUNDCLOUD SPOTIFY DISCORD

LISTEN TO LOSO'S OPENING SET FOR BIG FLORIDA AT THE GREEN ELEPHANT Born and raised in Houston and rooted in Dallas for the last three years, LOSO  has turned a handful of late nights into a meteoric rise. In a single year, he has evolved from small club corners to festival stages and major support slots. His path cuts straight through heavy bass and dubstep, but it never stays in one lane for long. Across the DFW metroplex, his name travels ahead of him. Not just for the sets he throws, but for the community he builds. In a scene hungry for artists who do more than chase a spotlight, LOSO stands out as the driving force of a new wave: one defined by skill, heritage, and a “we” mentality. Photo Credit: Gabriel Urbano Eight months into his journey, LOSO threaded himself into the Texas bass circuit. The momentum peaked at Lights All Night 2024 , where his name sat alongside industry veterans. “From being a bedroom DJ doing livestreams to being booked for my first local show and then all the way to LAN, I never thought the traction would pick up so fast!” he reflects.  The momentum surged into 2025. By Spring, he was commanding the silent disco at Breakaway Dallas , watching LED-lit headphones sway to bass drops that rippled through the concrete. Summer saw him at the Green Elephant supporting Big Florida , followed by an October birthday slot for Spag Heddy  at Sounders . Each booking served as proof of concept: LOSO belongs at the forefront of Texas bass music.  Photo Credit: Gabriel Urbano LOSO knows how to bring on high-stakes tension. One minute, he’s dragging the crowd through tectonic dubstep; the next, he is yanking the rug with a fake-out drop that sends the floor into a frenzy. He excels at the left-field genre switch, slamming cinematic transitions that leave the crowd breathless.  “I play what moves me, and the crowd feeds off that,” he says. “A good fake-out keeps us all on our toes. My perfect set would be one where the energy is always high, and the crowd dances through the whole set!” Long before the decks, music was the backdrop of LOSO’s childhood. His home was a collage of his uncle’s old-school rock, his mother’s ‘80s pop, and a constant pulse of Latin rhythms. Overlaying it all was the heavy influence of Houston hip-hop: Z-Ro , Paul Wall , and the chopped-and-screwed legacy of DJ Screw . “Those genres shaped how I hear drum patterns and textures,” LOSO explains. “I use those influences to give my sets a flair. You’ll hear Hispanic anthems remixed into riddim, or hip-hop classics flipped into house and techno. The heritage is always there!” While many artists focus on their own ascent, LOSO dedicates himself to lifting others. He founded DownForWhatever Presents (DFWP)  after noticing local DJs would warm up a room for a headliner, only to disappear in the shadows. DFWP flips the script by booking warehouse pop-ups, day raves, and car-meet shows where local talent is  the main event. After all, they are DownForWhatever. “DownForWhatever’s mission is to headline the popular locals and give unknown talent a chance to show others what they’ve got,” he says. “In an industry where it’s hard to find a glimmer of light, we want to be the lighthouse.” Before he was a DJ, LOSO was a performer of a different kind. He spent years mastering hip-hop dance routines before transitioning into the cages and mats of MMA and Brazilian Jiu-Jitsu. The discipline required for combat sports now fuels his stage presence.  “Dancing taught me how to read a room; fighting taught me how to conserve and explode,” he notes. “I bring that same ‘all gas, no brakes’ energy to my dubstep sets. It’s about being explosive yet controlled.” As 2025 draws to a close, LOSO plans to retreat into the studio to dial in his original production. His goal is to evolve from a premium selector into a definitive creator.  “I want people to be surprised the next time they see me,” he says. “I look forward to melting faces with sounds they haven’t heard anywhere else!” LOSO’s authenticity and versatility are reshaping the rooms he plays and the community he serves. If the past year is any indication, his name won’t stay local for long. Follow his journey, explore his mixes, and prepare for the next time he takes the stage. INSTAGRAM SOUNDCLOUD

For one night, Houston felt open, layered, and unmistakably alive. Houston Fest blurred the line between club night and full-scale festival, creating a fluid, multi-room experience where different sounds, scenes, and energies coexisted under one roof. Hosted at AFËR (formerly Fast Ferrari) in Midtown, Houston Fest marked the latest chapter from All Hours Records , which previously launched two Dallas Fest editions before expanding the concept south. The lineup featured more than 25 DJs spread across multiple spaces, shifting the focus away from camping at a single stage and toward movement: choosing where to land, when to wander, and which energy to follow next. Photo Credit: Urbina Films AFËR itself set the tone immediately. Its elevated layout created a sense of separation from the streets, like stepping into a curated pocket of nightlife above the city. Upstairs, the main dance floor felt open and expansive, framed by intentional seating and tables that created a polished, controlled flow. Downstairs, the pit offered a more intimate, lounge-forward counterbalance, complete with its own DJ booth, bar, seating, restrooms, and even a photo-op entrance at the lower level that anchored circulation between spaces. By the time the night fully hit its stride, the venue felt transformed: immersive, refined, and unmistakably Houston Fest. The night unfolded with an easy, natural momentum. Outside, Pharax  set the early tone with groove-forward selections that cut through the cold air, easing people into the evening. Inside, Emilio Bernot  opened the main stage with rhythmic, layered sounds that warmed the room as the crowd slowly filled in. Alexander Di Sa ggio  followed, bringing a distinctly spiritual energy to the space. His set wove electronic music with themes of faith and reflection, offering an unexpected moment of intention that grounded the room and lingered longer than anticipated. About an hour in, the pace shifted. The line at the door grew, the main floors filled out, and the silent disco burst into color and motion. Hosted inside an inflatable club, the silent disco featured three channels running simultaneously, allowing dancers to change moods without ever leaving the space. DJs including KURWA , Molly Mystic , Hollywood , BBTwee , TND , Ryan.fm , and Koda  each carved out their own lane. Watching people switch channels mid-dance, bouncing between rhythms and tempos, became a highlight in itself. As the night reached its peak, Noiztr!x  pushed the room into heavier territory with a set that was relentless in the best way. The energy never dipped. Bodies moved nonstop, faces stayed lit, and the area near the booth filled with family and friends celebrating him in real time. Bottles raised, hands in the air, pride and support radiating through the crowd. It was a moment that reminded everyone how deeply personal nights like this can be. Photo Courtesy of Mai Gao What made the closing stretch especially powerful was how seamlessly the momentum carried forward, even as the sound shifted entirely. Mai Gao  followed with a contrasting palette of melodic, progressive, and atmospheric textures: a complete stylistic flip that somehow worked like magic. Instead of breaking the flow, the contrast expanded it, guiding the crowd through a final chapter that felt emotional, intentional, and fully earned. Different worlds, same heartbeat, moving together under glowing lights. Photo Courtesy of Mai Gao Photo Courtesy of Mai Gao As the night came to a close, what lingered was the way everything fit together so naturally: the music, the space, and the people. The crowd stayed engaged, the rooms remained lively, and the atmosphere carried through to the end. All Hours Records  is clearly carving out something meaningful in Houston, and it's worth paying attention to. The city feels ready, arms open, waiting to see what comes next.

Meet Caspa, a pioneer producer whose sound has shaped an entire generation of bass music. Rising from the underground corners of London’s rich sound system culture, he has emerged as one of the foundational voices of early dubstep, carving out a lane defined by raw weight, stripped-back drums, and unmistakable East Coast hip-hop influence. While the world knows him for era-defining tracks and seismic live sets, his journey is rooted in some far more personal: brotherhood, culture, and the chaotic beauty of London's musical melting pot. With decades in the scene and a global fanbase, Caspa continues to evolve without ever abandoning the grit that made him iconic. He remains both a student and teacher: inspired, intentional, and still deeply in love with the craft. His commanding appearance at Beyond Existence 2025 was a decisive moment for the weekend, blending nostalgia with fresh energy and reminding the crowd exactly why his name still stands tall in bass culture. Photo Credit: Nathen Lane Stepping offstage, he joined us for an intimate conversation, reflecting on the deep-seated influences that fuel his work, the drive that keeps him moving forward, and the philosophy behind mastering his signature sound.  EDM Texas: How was your experience at Beyond Existence 2025? Caspa:  Absolutely fantastic, thank you! I love small, family-style festivals. These intimate get-togethers are the best! It was great.  EDM Texas: Who were some of your influences growing up? Caspa: My brother was one of my biggest influences. He was a record collector who was particularly fond of hip-hop artists such as Mobb Deep , Wu-Tang Clan , and Gang Starr . Hearing those stripped-back, heavy East Coast beats early on shaped the way I approach production, and I’ve carried that influence into dubstep ever since. Beyond that, London itself was a massive inspiration. It’s a wild and diverse city full of culture, reggae, sound system music, and creativity everywhere you look. You can’t live there and not  be into music; I feel like everyone in the UK has some connection to it. That environment helped shape who I am as an artist. Photo Credit: Troy Acevedo EDM Texas: Do you tend to produce in bursts of inspiration, or are you more of a consistent, routine-based creator? Caspa:  Honestly, a bit of both. I've got two kids now, so a routine is essential; I have to fit creativity in between everything else. However, even after doing this for so many years, I remain just as inspired as I was when I started. I could be in the studio every single day writing music and still be happy. That said, I never force it. If I sit down in the studio and nothing’s coming out naturally, I walk away. I don’t try to create just for the sake of it; the flow has to be there. When the inspiration is there, it’s magic. When it’s not, it’s okay to pause. EDM Texas: What’s one plug-in or synth you can’t live without? Caspa:  That’s a good question. It’s changed over the years. Back in the day, when I was using Reason, I was heavily reliant on the Maelstrom   synth . I made a lot of my classic tunes on that thing because you could build everything - bass, pads, melodies - all within it. Now I use Logic, and Massive is my go-to. I know many people use Serum or Vital these days, but Massive is still a powerhouse. You can create anything in it: snares, kicks, risers, and especially basslines. You could honestly make an entire tune with just that one plug-in. But I’ll say this: stock plug-ins don’t get enough credit. People are constantly chasing the next big synth, but the real secret is mastering what you already have. Stop buying every new plug-in that comes out and learn your DAW thoroughly. It’s not about the gear, it’s about how you use it. Anybody can have the same tools, but that doesn’t mean they can replicate your sound. People tell me sometimes, ‘That track sounds like you,’ and I say, maybe, but it’s never going to be  me. You can imitate, but you can’t replicate. Once you know your sound and what you like, that’s when you start creating something genuinely unique. EDM Texas: What’s one thing about you that people might be surprised to learn? Caspa:  I’m utterly obsessed with food. I always joke with my manager and say, ‘Are we going to DJ, or are we going to eat?’  Because honestly, when I’m not playing shows, I’m out finding new food spots. I love exploring local restaurants, hole-in-the-wall places, and getting recommendations from people who live in the area. Although I travel frequently, I always strive to experience each city through its local cuisine. Sometimes you have to work with what’s nearby, but whenever I can, I’ll go out and find those local gems. I’ll still do the tourist thing too, just because I want to try it all. My favorite cuisine is Indian food. Being from the UK, it’s practically our national dish: chicken tikka masala! I’m a bit of a whiz when it comes to Indian cooking. Outside of that, I also love Italian and Caribbean food. Honestly, you can’t put much in front of me that I won’t try. When you travel, you have two choices: you can eat McDonald’s in every country, or you can let a local take you out and say, ‘Hey, this is how we do it here.’  That’s how I approach it, embracing new flavors wherever I go. For me, food has become its own little side quest while touring. It makes the travel experience even better. Photo Credit: Harrison Lupfer EDM Texas: What does PLUR mean to you? Caspa:  I don’t think it’s about what I  think; it’s about what it means to each person. Everyone’s perspective is different. For one person, PLUR might be a saying. For another, it could represent something significant. I’ve been doing this for a long time and have met people from imaginable backgrounds. The most important thing I’ve learned over the years is that good and evil exist in every corner of the world. The moment you start believing one group or one place is all the same, that’s when things get blurry. Traveling opened my eyes to that truth. When I go to America, people sometimes tell me, ‘Oh, America’s wild.’ Then I go back to the UK and hear people say, ‘London’s dangerous.’ And I always tell them, don’t just watch the news. Go out and meet people. Because every country I’ve been to - from America to South Africa, Moscow, I’ve met incredible, kind, inspiring people everywhere. So for me, PLUR is simple: good people, good vibes, and respect for everyone’s individual path. Everyone has their own beliefs, and that’s okay. The world needs more understanding, rather than division. Caspa’s journey continues, and fans can experience his iconic sound and positive philosophy firsthand when he returns to Texas this March, appearing alongside Peekaboo in Dallas and Austin. You can buy tickets here . Follow Caspa on his music & social platforms below:  Instagram   Soundcloud Spotify

This article was updated on December 3, 2025. San Antonio's nightlife thrives off energy, and for fans of electronic music, the city offers a vibrant mix of venues that brings beats to life. From intimate spaces hosting local talent to grand clubs showcasing global superstars, there's no shortage of options to get your groove on! Whether you're a drum & bass devotee, a house music enthusiast, or just looking to experience the electric energy of a great crowd, San Antonio's EDM scene has something for everyone. Here are some of the top EDM clubs in San Antonio to check out. Jandro's Patio Garden Photo Source: Jandro's Patio Garden Facebook While Jandro's Patio Garden may not be your typical EDM club, it serves as a cornerstone for electronic music lovers in San Antonio. Known for hosting an array of EDM nights, the venue serves up beats spanning drum & bass to house, drawing in friendly crowds and passionate staff who pride themselves on curating great vibes. Supporting local artists across genres, Jandro's combines its infectious energy with a warm, eclectic atmosphere enhanced by vibrant lighting and unique artwork. Whether you're there for the music, drinks, or ambiance, Jandro's Patio Garden delivers unforgettable nights and a true taste of San Antonio's evolving EDM scene! Maeve Located downtown, Maeve stands out as a key San Antonio nightlife destination. With its high-energy patio bar experience every weekend, this spacious venue provides a clean backdrop for guests enjoying handcrafted cocktails, food truck bites, and live DJ sets. Patrons consistently highlight its beautiful ambiance and also note that their custom lighting completes their atmospheric setup well into the night. Look out for signature events like Sunset Sundays and occasional open deck sessions! Photo Credit: Peterson Entertainment 1902 1902 Nightclub is a testament to San Antonio’s thriving EDM scene; its location and layout create an unforgettable experience. Drawing inspiration from the legendary Studio 54 , 1902 provides a distinctive charm and energy that instantly captivates visitors. Photo Source: 1902 Nightclub Facebook Located within the Espee, the 1902 Nightclub transports you to a world reminiscent of the iconic Studio 54. Its design and decor pay homage to the glitz and glamour of the disco era, infusing the dance club with an aura of sophistication. The layout is carefully orchestrated to maximize the energy flow on the dance floor, ensuring that every beat is felt throughout the space. 1902 Nightclub boasts an impressive roster of electronic music artists and DJs who have graced its stage. Past performances have featured leading artists such as Chris Lake , Afrojack , Loud Luxury , Dillon Francis , and others, who have amazed 1902’s crowds. The venue’s commitment to showcasing world-renowned acts ensures that each night is an opportunity to witness electrifying greatness. Whether you’re a fan of house, techno, or any other electronic genre, 1902 caters to your music preferences. 800LIVE 800 Live is a dance club in San Antonio that packs a powerful pinch when it comes to delivering a futuristic and high-energy ambiance. The venue stands out for its future-oriented technology, immersive visuals, and commitment to providing an unforgettable experience. 800 Live has crafted a thrilling futuristic atmosphere that buzzes with energy. The moment you step inside, you’re taken away by an atmosphere that feels like it’s from a different dimension. The venue’s intimate size adds to a sense of connection among the music, the artists, and the crowd, creating a lively, tactile atmosphere. Source: 800 Live Facebook What truly makes 800 Live the best standout dance club in San Antonio is its dedication to cutting-edge technology and visuals. This venue has embraced the latest innovations in lighting, sound, and visual effects to create a sensory feast for electronic music enthusiasts. During events, you can expect mind-bending visuals that sync perfectly with the music and venue’s vibration. For this reason, 800 Live has rightfully earned its place as a top EDM club in San Antonio. San Antonio's EDM scene thrives on diversity, with venues like Jandro's Patio Garden, 1902 Nightclub, and 800 Live showcasing the city's dedication to electronic culture. Each venue offers something unique, whether you want a warm and eclectic vibe or glamouristic high-class performances. These San Antonio EDM clubs offer something for every music lover and we invite you to explore the city's evolving scene!

Are you looking to lose yourself in rhythm and dazzling lights? Austin, the world's live music capital, has become a spirited hub for electronic dance music, blending its eclectic culture with a booming nightlife scene. Whether you’re a local seeking your next favorite spot or a visitor chasing unforgettable nights, finding the best EDM clubs Austin offers is essential.  What Makes the Austin EDM Scene Unique? Austin’s reputation as the world's live-music capital naturally extends to its infectious EDM scene. It is powered by passionate collectives organizing shows and parties in diverse venues across the city, and this grassroots energy fuels the vibrant culture. World-class festivals like Freaky Deaky   and IllFest  ignite the Travis County Exposition Center, while the groundbreaking Seismic Dance Event  at The Concourse Project showcases cutting-edge underground talent. Add the iconic SXSW , which consistently spotlights electronic innovators, and you have a city where EDM is a movement.  From intimate gatherings to large-scale festivals, these seven EDM clubs in Austin pour out an eclectic spirit that makes it unforgettable for locals and visitors alike.   The Concourse Project Photo Credit: Bryan Gonzalez Ranked #5 among the top clubs in the nation , The Concourse Project is a standout in the Austin EDM scene. Located just off the 183 toll road, it avoids downtown chaos while offering the convenience of a spacious parking lot. Step inside, and you’re met with a top-notch establishment boasting a dynamic layout that adapts seamlessly to the crowd size.  The atmosphere is electrifying, with a robust lighting setup and incredible sound quality that carries flawlessly—even to the back of the venue! A loft area provides a bird's-eye view of the dance floor and stage, ensuring every guest has a prime spot to enjoy the action.  The club’s diverse lineup of artists caters to all corners of the EDM spectrum, making it a favorite among local fans and visiting enthusiasts. Add in friendly staff, reasonably priced drinks, clean and functional bathrooms, and a spacious outdoor area for mingling, and it's clear why the Concourse Project is a must-visit for anyone exploring EDM clubs in Austin.  The Oven Photo Credit: Denied Music Tucked in the heart of the Austin metro, The Oven is a 360-degree production studio that doubles as a go-to after-hours hotspot for EDM enthusiasts. Its underground warehouse vibe, top-notch sound, and flexible event production create a raw yet polished atmosphere perfect for late-night escapades! The Oven stands out for its commitment to fostering creativity, providing a platform for artists and visionaries to succeed. Whether you’re vibing to live indie bands, headbanging to dubstep, or losing yourself to the fast-paced beats of happy hardcore, this venue delivers a uniquely eclectic mix of sounds. With good AC to keep the energy flowing and a reputation as a space where connections and creativity thrive, The Oven is a meeting ground for Austin’s vibrant music community. If you’re exploring EDM clubs in Austin, this hidden gem deserves a spot on your list!  The Courtyard ATX Photo Credit: The Courtyard ATX The Courtyard is quickly making a name for itself as one of Austin’s most versatile music venues, with a particular buzz around its growing EDM shows. Nestled around a chic indoor bar with lounges on each side, the venue balances comfort and class.  At the heart of the action is a center patio where the dance floor resides, in harmony with crystal-clear sound and dazzling LED walls. This unique setup creates an inviting, open-air vibe that feels intimate yet electric.  The staff’s warmth and politeness add to the venue’s charm, making every visit feel like a first-class experience. While the Courtyard hosts a mix of acts across genres, its EDM events are becoming a highlight, and it's a must-visit for fans exploring EDM clubs in Austin.  Voodoo Room Photo Credit: Voodoo Room For years, the Voodoo Room has been the go-to destination for EDM lovers on Wednesdays with its legendary Wobble Wednesdays . This energetic nightclub brings the beats to life with stunning sound and lighting effects, vibrant go-go dancers, and an atmosphere that screams “Bass in your face”! Spread across multiple floors, the venue delivers impeccable sound quality on the 1st and 3rd levels, paired with mesmerizing visual designs that set the tone for an unforgettable night. The staff’s friendly and helpful demeanor and the community’s warmth foster a respectful, good-vibes-only environment that keeps the energy flowing. If you’re diving into EDM clubs in Austin, Voodoo Room is the place to feel the pulse of the city’s midweek party scene!  Reina Rooftop (ROMA) Photo Credit: Reina Rooftop Perched high above the city, Reina Rooftop (also known as ROMA for their downstairs club, offers a dazzling open-air experience with spectacular views of downtown Austin. The venue’s tropical decor creates an eclectic, laid-back vibe perfect for dancing under the stars.  Renowned for its fantastic cocktails, Reina Rooftop is a destination for music lovers and nightlife enthusiasts. A rotating lineup of talented DJs keeps the beats fresh and the energy high, making it a must-visit hotspot for anyone exploring EDM clubs in Austin. Kingdom Photo Credit: Courtney Stone A staple in Austin’s EDM scene, Kingdom has earned its reputation as a fan favorite for unforgettable shows. Known for its phenomenal production, the venue pairs crisp sound and mesmerizing lights with a clean, spacious dance floor that invites nonstop movement!  With its size, Kingdom maintains an intimate atmosphere, making every set feel personal and immersive. With good AC to keep the crowd chilly and a staff dedicated to smooth, worry-free nights, this club guarantees good vibes. If you’re looking for EDM clubs in Austin, Kingdom is a crown jewel you don’t want to miss.  The Cut ATX Photo Credit: The Cut ATX The Cut ATX is the go-to after-hours destination for Austin’s underground house and techno enthusiasts. Nestled in the heart of downtown, this vibrant spot brings the hottest names in the scene to keep the energy alive long after midnight.  The refreshing atmosphere and unparalleled crowd energy make every night unforgettable, solidifying The Cut ATX as a standout in Austin’s EDM scene. This after-hours hotspot is a must-experience for anyone looking for EDM clubs in Austin! From intimate after-hour spots to sprawling venues with cutting-edge production, the EDM clubs in Austin are as diverse as the beats they deliver. Whether you’re drawn to the Oven’s underground vibes, Reina Rooftop’s allure, or Voodoo Room’s bass-heavy energy, each club tells its unique story. Share your adventures, favorite spots, and must-see shows with us!  For the latest on the Texas EDM scene, don’t forget to subscribe to EDM Texas and stay plugged into the movement shaping the Lone Star state!

This Friday, November 28th, the walls of Trees  in Dallas will shake under the weight of a rising force in bass music. HVRCRFT , the Bay Area producer with a rapidly growing reputation for high-voltage sound design, will deliver direct support for DirtySnatcha  in one of his most defining career moments yet. From crate-digging in San Francisco to landing Top 10 charting releases, he now steps into the spotlight with the same ground-moving energy that first electrified his vision years ago. For Dallas, this is a front-row seat to the future of bass.  HVRCRFT’s sound traces back to San Francisco’s vibrant underground. As a 14-year-old kid armed with turntables and curiosity, he spent endless hours flipping through vinyl bins and teaching himself how to mix and perform. Those early discoveries cultivated his hunger for innovation - a foundation that would later erupt into the distinct, boundary-pushing style he’s now known for. “Shoutout to the Bay Area - that’s where I first experienced real musical diversity,” HVRCRFT explains. “I spent so much time digging through records from every genre, and that wide range of sounds definitely shaped how I produce music today.” Everything changed in 2017. Attending Lost Lands for the first time, surrounded by booming sub-bass and a tightly bonded community, crystallized his purpose. What began as an exploration suddenly became a mission: to create sound that hits as hard as the artists who inspired him: Excision , Subtronics , and DirtySnatcha .  “Going to Lost Lands showed me the true culture and community of dubstep - something I had never experienced before attending in 2017,” he said. “That moment made it clear: these were the people I wanted to create music for, and the community I wanted to belong to.” Back home, HVRCRFT dives into a relentless creative grind built on curiosity and risk-taking. His studio approach centers on texture, movement, and calculated chaos, aiming for drops that surprise and shake the room. That mindset now drives a production identity that keeps listeners leaning forward, waiting for the next unexpected hit.  “When I’m working on a drop, I’ll load a reference track I admire and study how they crafted it,” he explains. “I then try creating something with a similar texture or style in my own way. If that doesn’t click, I’ll run through presets, find something that sparks an idea, and start tweaking until it works for the track. For me, pushing boundaries is really just embracing trial and error - trying things, falling, trying again, and trusting the process all the way.” Photo Credit: Vizuals by VJ His determination soon took him to Los Angeles, where he sharpened his skills inside electronic music’s core industry network, connecting with collaborators, refining his sound, and learning the business from the inside out. Releases with Thrive Music , Circus Records , and others followed - and his artistic trajectory accelerated.  “My time in LA really opened my eyes to how the music industry operates behind the scenes - everything from payroll to how A&Rs, managers, and artists handle themselves professionally,” he notes. “Being around that environment, and shoutout to Thrive, who showed me just how crucial it is to understand the business side of music.”  Then came the moment that brought everything full-circle. HVRCRFT teamed up with DirtySnatcha, one of his day-one inspirations, for the track, “ Sum Dirty ”, released through Excision’s powerhouse label Subsidia . The result? A surge of credibility and momentum, including a Top 10 milestone on the Hypeddit Bass Music charts .  “Having DirtySnatcha on board with ‘Sum Dirty’ gave me a real boost of confidence,” he says. “It helped me refocus on my goals: building a fan base, touring, and sharing my music with as many people as possible.” This Friday at Trees marks another milestone: performing as direct support for DirtySnatcha on a stage packed with Texas fans ready for a seismic ride. He’s bringing new IDs, bold sound design, and the immersive energy that has become his signature.  “I’m excited to really showcase the HVRCRFT sound,” he says. “This show will help shape future performances, hopefully alongside DirtySnatcha, and open the door to even more unforgettable experiences with what I’m creating.”  Fans who step into Trees on Friday will witness the spark of a breakout era. Don’t miss your chance to feel the future shaking the dancefloor beneath you with artists Buckten , AKRONYM , Benelioan , and Mr. OneVibe . Grab your tickets , lean into the bass, and prepare to experience DirtySnatcha and HVRCRFT in their element.

Some festivals feel like a party, and others feel like a portal. In this place,  sound, art, and human energy blend into something larger than ourselves. Hosted deep in the Texas Hill Country, Beyond Existence is one of those rare spaces. It’s about fostering community, igniting creativity, and experiencing that indescribable magic that happens when everyone shows up with an open heart. Photo Credit: Josh Coburger The gates opened to a sunlit morning, the Texas wildlife welcoming us as we drove up the hill into the festival grounds. After securing our wristbands and setting up camp, we were ready to explore by mid-afternoon.  Our first destination was the Crystal Stage . Hammocks swayed behind the dance floor, light filtered beautifully through the trees, and the crowd was a vibrant mosaic of majestic, colorful outfits. The atmosphere was immediately immaculate. We captured memories of early attendees against the sunset glow over a small pond before diving back into the music. Then, the moment of pure, unexpected joy: a whole crew of clowns descended upon the crowd. Rainbow wigs, glitter, inflatable props - they were wonderfully hilarious and chaotic in the best way, instantly becoming one of the highlights of the day. All around, artists painted and created live; canvases grew into glowing murals as the beats rolled on. Photo Credit: Aeisha Photo Credit: Aeisha By sunset, the energy shifted into something surreal. The resting area, sponsored by QuiteTheSetUp , felt like a cozy, nostalgic escape, complete with couches, flow artists, and even an N64 setup for anyone needing to slow down. Next door, the art gallery cabin was alive with sound and color as DJs spun while attendees browsed the curated paintings. Photo Credit: Aeisha The night exploded when Caspa  finally hit the stage. His set was heavy, clean, and full of satisfying nostalgia - exactly the fuel Day 1 needed. The night ended in a spectacle of fire performers lighting up the crowd, bubbles floating through laser beams, and the massive butterfly art piece glowing like a true, ethereal portal. Day 1 was a seamless blend of sound, art, and connection, a powerful reminder of why these intentional gatherings mean so much.  Photo Credit: Aeisha Beyond Existence 2025 Day 2 Day 2 began with a slow, easy rhythm. We woke around 9 AM to the sounds of soft laughter and distant music. The morning felt calm and deeply connected as our camp eased into the day. After breakfast and chats, we headed to the first yoga session. The festival’s daytime workshops were a true treat - grounding, intentional, and a beautiful way to reconnect with the body before the music ramped up. The Texas sun climbed fast. After a break to regroup in the shade, we returned to the Crystal Stage  for early sets. Around 4 PM, I attended a hands-on workshop hosted by SubCulture  that focused on the intricacies of sound design. It was incredibly insightful, and it reveals the depth of intention that goes into the music that moves us. As the day unfolded, the vibes shifted from chill to electric. By sunset, Supertask  took the stage and completely captivated the crowd. His set was a true journey - cinematic, emotional, and profoundly moving.  Toward the end, a beautiful moment unfolded: a message celebrating one of our friends' anniversaries appeared on the big screen. We ran across the crowd to find them, already celebrating with champagne, tears of joy streaming down their faces. It was a pure, loving moment - the kind that reminds you how music connects hearts in the most unexpected ways. Shout-out to Smudge Visuals  for that wholesome moment we all experienced together as a family!  Still basking in that warmth, I caught up with Julia, the woman behind the anniversary message. EDM Texas: Julia, what makes Beyond Existence so special for you? Julia:  My friends were part of the team that started this festival a few years ago. We’ve been coming every year, watching their vision come to life. It’s so special to see it expand and evolve. The best part is the sense of safety and freedom here. You can put away the worries of the outside world for a few days and just be . Honestly, what could beat that? Nothing. It’s incredible.  EDM Texas: How was the drive getting out here? Julia:  Not too bad, only about two hours from H-Town to Paige, Texas. It’s incredible seeing so many familiar faces from Houston out here, bringing that same energy to Beyond Existence. The underground scene is rising, and we need more of this deep, experimental bass and dub energy. It’s refreshing to see people traveling for it. EDM Texas: Describe Beyond Existence 2025 in one word. Julia:  Dope! ( She says without hesitation.) EDM Texas: What does PLUR mean to you? Julia: If we’re going OG, it’s Peace, Love, Unity, and Respect. But I’d add one more: responsibility.  To me, PLUR means looking out for your people. Have each other’s backs, stay safe, and be considerate. Say ‘excuse me.’ If you don’t say ‘excuse me’ at a rave… you’re not doing it right. The energy rose when Smoakland  came in with a filthy, high-energy drum-and-bass set that had everyone dancing nonstop. It was an incredible surprise and precisely what the night needed. Inzo followed, closing his set with an emotional and grounding performance that left us reflective and filled with gratitude. Fire performers lit up the stage, artists were painting live along the edges, and the whole space felt alive with color and light. After Inzo’s set, we returned to the art gallery cabin. We came across an artist named Rose  working on a massive, interactive piece that invited people to contribute. It was a powerful reflection of community art in motion. Before leaving, I stopped by Wired Child ’s booth. I found the most unique little treasures, including a fossilized oreodaunt tooth, which is now one of my favorite keepsakes. I was curious what it felt like to debut a shop in this energetic space, so I chatted with Sonia, the artist behind Wired Child .  Sonia started wire-wrapping five years ago during COVID as a creative outlet. She needed a way to create without overthinking, and she found online tutorials online that led to a free-flowing, grounding process.  EDM Texas: How did you first hear about Beyond Existence? Sonya:  I have a friend, another vendor, who’s been coming out here for years. He always said, ‘You need to vend here, you’d love it!’  This year, the vendor coordinator personally reached out and asked me to join. And here I am, my first time! EDM Texas: What does the word ‘wook’  mean to you? Sonya: To me, it means you do what you’ve got to do. I grew up with my brothers in Boy Scouts, so I camped all the time when I was little. I picked up a lot of those skills back then and brought that knowledge here. At festivals like this, you learn to adapt, figure things out as you go, and just wing it. That’s the wook way, being resourceful, grounded, and still having fun! EDM Texas: What does PLUR mean to you? Sonya:  PLUR, to me, is about being the best version of yourself — for you, for everyone around you, and for everything you touch. It’s about bringing love, peace, and respect into every space you enter. The night ended back at the Crystal Stage  for G-Space , whose set tied the late-night hours with deep bass and flowing transitions. We soaked it all in until finally drifting back to camp, falling asleep under the sound of music still echoing in. Day 2 was a perfect culmination of learning, connection, emotion, and shared experiences.  Photo Credit: Aeisha Beyond Existence 2025 delivered more than just music; it created a vibrant, living space for community, creativity, and genuine human connection. From grounding yoga and insightful workshops to spontaneous laughter and heartfelt moments, every detail felt intentional. As the bass faded into the early hours, one truth remained clear: PLUR is still well and alive, thriving here. Beyond Existence is a powerful reminder of how vibrant, supportive, and inspired our community truly is.

A visceral new movement has erupted within the Texas electronic music scene with the launch of Control Room  - a project determined to reclaim the raw, unfiltered energy of bass culture. Spearheaded by Dessigner Toys , a fast-rising force in the bass community, this series transforms cinematic studio sessions into intimate gatherings that feel more like underground kickbacks than polished video shoots. Born from a desire to capture the raw intensity of the underground, Control Room bridges the gap between the chaotic freedom of the rave floor and the focused artistry of the studio. Photo Credit: Megan Burch Rooted in Dallas’s DIY ethos, Control Room  emerged from a hunger for genuine connection. The concept solidified when Dessigner Toys  decided to channel that energy into something tangible.  “I came up with the idea because I wanted to bring something exclusive and fresh to Dallas,” he explained. “ We already have big venues like SILO and plenty of other large shows, but I wanted to create something more intimate - a space with limited capacity where you have to catch it when it happens.”  Stepping inside the studio feels less like entering a club and more like wandering into a secret sound experiment. The design prioritizes sonic purity, with massive speakers that seem to breathe as they shake the walls. Every single studio fixture and piece of cabling works to build an experience where the camera serves as just another audience member, silently capturing the potent vibe for those who missed the limited-capacity gathering.  This hunger for direct connection fuels Control Room’s mission: to champion emerging talent. Dessigner Toys envisions it as a launchpad for artists - many of whom he’s met through touring and performing across the country. “The goal is to build an experience that feels raw, underground, and connected - something that captures the true spirit of the scene,” he declares.  That spirit also defines the project’s name. “Control” symbolizes presence - artists and fans fully immersed in the moment. While major performance channels like Boiler Room  or Cercle  showcase global acts in exotic or polished settings, Control Room embraces a grittier approach. The proximity between the performer and the crowd cultivates a rare musical intimacy. That sense of unity cements the essence of what makes Control Room so compelling. “ The whole idea is just to vibe,” he stated. “We want good energy, people having fun, doing their thing, and experiencing the music in a laid-back, genuine way. Every time I looked back, it had that intimate feeling I wanted. Even though I didn’t know most of the people there, it felt like we were all friends at that moment. We just had fun!” Photo Credit: Megan Burch The heart of Control Room beats through its creator. Dessigner Toys has built a reputation for his textured, experimental sound design. He aligns with the celebrated Wakaan family while carving his own lane in the underground. “I used to make heavier bass and dubstep, more of that riddim type stuff,” he shared, “but I took a four-year break from electronic music.”  That pause allowed his sound to evolve. Instead of focusing solely on bass frequencies, he explored other genres like hip-hop, pop, and even country. “I kind of pulled a reverse Kenny Beats move by stepping away to experiment and write all kinds of different music,” he says. In the past year, he’s performed at Wakaan Music Festival , opened for Star Monster at Dallas’s Green Elephant , supported MPort  at The Courtyard  in Austin, and co-headlined COBA ’s first bass music show. His sound has since evolved into a bass-driven yet melodic blend from his diverse writing experience.  “I’ve always loved deep, textured bass music and the whole Wakaan-style sound, so it feels like everything finally came full circle. It’s all just been about vibing and making music that feels right.” Electronic music stands at a cultural crossroads. As major festivals and labels push the genre into mainstream prominence, a countercurrent is forming: a revival of the underground spirit that values intimacy, authenticity, and experimentation. Control Room embodies this philosophy and plans to provide emerging artists a space to grow while staying true to the essence of bass culture. “The industry always goes through cycles, so artists need to stay true to themselves, keep writing good music, and not lose focus,” Dessigner Toys noted. “Yes, we all have to do the influencer stuff now: TikTok, social media, etc. But at the end of the day, consistency and authenticity matter most. If you stay genuine and keep creating, you’ll find your place and succeed.”  Looking ahead, the series plans to maintain a bi-weekly rhythm with small, exclusive sessions offering a first-come, first-serve approach. Fans can catch REALEZT and Lucas DiLeo from Austin on November 23rd, followed by SoDef ,   AYCH , and Dessigner Toys himself on December 4th. As the series expands, it will feature a diverse range of artists from around the world. Grounded in Dallas yet resonating far beyond, Control Room’s raw energy and uncompromised vision will redefine what it means to experience electronic music in its purest form. And there’s more in store.